Études grégoriennes XL ( 2013)

Daniela v. ARETIN
The Chicken and the Egg Music Theory and the Genesis of Musical Notation

Charles ATKINSON, The Ohio State University School of Music
The Anonymus Vaticanus in speculo

Eduardo HENRIK AUBERT, University of Cambridge
When the roman liturgy became Frankish - Sound, Performance and Sublation in the Eighth and Ninth centuries

Sam BARRETT, University of Cambridge
Neumes in a Ninth-Century Verse Collection and the Early History of Messine Notation at Laon

Marie-Noël COLETTE, E.P.H.E., Paris
Scribere qui nescit, sensum Deus augeat illi : remarques sur quelques témoignages de l’apprentissage de la notation musicale

Fabrizio CRIVELLO, Università degli Studi di Torino
High-Grade Manuscripts and Neumatic Notation in the Carolingian Era: Examples and Observations

Jeremy LLEWELLYN
Grammar, Writing and Chant: Notker the Editor and the Epistola ad Lantbertum .

Daniel SAULNIER, Tours, Centre d’études supérieures de la Renaissance
Nouvelles perspectives sur la coupure neumatique

Giovanni VARELLI, University of Cambridge
The Early Written Transmission of Chant in Northern Italy: The Evidence of Milan, Biblioteca Ambrosiana, B 48 SUP., ff. 141-142 .

Susana ZAPKE, Konservatorium Wien
Coexistencia de signos y funciones en la cultura visigótica escrita: Notas marginales.